The Last Pictures


Trevor Paglen


Trevor Paglen, The Last Pictures from Creative Time, 2012

Humanity’s longest lasting remnants are found among the stars. Over the last fifty years, hundreds of satellites have been launched into geosynchronous orbits, forming a ring of machines 36,000 kilometers from earth. Thousands of times further away than most other satellites, geostationary spacecraft remain locked as man-made moons in perpetual orbit long after their operational lifetimes. Geosynchronous spacecraft will be among civilization’s most enduring remnants, quietly circling earth until the earth is no more.

Commissioned by public art organization Creative Time, The Last Pictures marks a distant satellite with a record from the historical moment from whence it came. Artist Trevor Paglen collaborated with materials scientists at the Massachusetts Institute of Technology to develop a micro-etched disc with one hundred photographs, encased in a gold-plated shell, designed withstand the rigors of space and to last for billions of years. Inspired by years of conversations and interviews with scientists, artists, anthropologists, and philosophers, the images chosen for The Last Pictures tell an impressionistic story of uncertainty, paradox, and anxiety about the future.

In November 2012 the communications satellite EchoStar XVI reached geostationary orbit with The Last Pictures mounted to its anti-earth deck. The satellite will spend fifteen years broadcasting television and high-bandwidth internet signals before maneuvering into a ‘graveyard’ orbit where it will become a ghost-ship, carrying The Last Pictures towards the depths of time.

The Last Pictures is available in a book format.

Trevor Paglen‘s work deliberately blurs lines between science, contemporary art, journalism and other disciplines to construct unfamiliar yet meticulously researched ways to see and interpret the world. His visual work has been exhibited at the Metropolitan Museum of Art, New York; Tate Modern, London; The Walker Arts Center, Minneapolis; The San Francisco Museum of Modern Art; the 2008 Taipei Biennial; the 2009 Istanbul Biennial; the 2012 Liverpool Biennial, and in numerous other solo and group exhibitions. Paglen is the author of five books and many articles on experimental geography, state secrecy, military symbology, photography and visuality. He has received grants and awards from the Smithsonian, Art Matters, Artadia, the San Francisco Museum of Modern Art, the LUMA foundation, the Eyebeam Center for Art and Technology and the Aperture Foundation. Paglen holds a BA from UC Berkeley, an MFA from the Art Institute of Chicago and a PhD in Geography from UC Berkeley. He lives and works in New York.

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